The exhibition examines how both Fontana and Melotti engaged with space and navigated the relationship between a work and its environment. This Concetto Spaziale is at once gestural and astral, organic and futuristic, primal and revolutionary; just as man entered space, so Fontana transcended the canvas, and brought outer space itself into art. From the earliest works in the series, he wrote the word 'Attesa', meaning 'expectation' or 'hope', on the back of all the canvases with one cut, and 'Attese' (plural) on all those with multiple cuts. This blog is a cut into the fabric of my life, to destroy the boundaries of written word or confined expression and to open up the space beyond. Les rayures de cette oeuvre représentent des rayons solaires de part leur couleur dorée et de part leur disposition sur la toile. Myriam LORANT . Christie's got $3.2 million for Fontana's red "Spatial Concept, Expectations" from 1967. With this label, Fontana draws attention to the ongoing possibilities that lie in the unknown future, as well as man's perception of time as a psychological experience as much as a physical one. Estimate £50,000 - … Lucio Fontana, né le 19 février 1899 à Rosario, province de Santa Fe, Argentine et mort le 7 septembre 1968 à Comabbio, près de Varèse en Italie, est un peintre et sculpteur argentin, fondateur du mouvement spatialiste associé à l'art informel.. Le geste de Fontana est net et sans agressivité, il est continu et d’intensité égale pendant la durée de l’opération. Deux études de plafond spatial. Executed in 1962-64, this work is registered with the Fondazione Lucio Fontana under the archive no. English Translation of “spaziale” | The official Collins Italian-English Dictionary online. Ver más ideas sobre Arte, Artistas, Arte contemporaneo. Fontana’s cuts pierced the surface, opening up a new space behind the canvas, which was both a real space, liberated by the cut, … Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. Concetto spaziale (Spatial Concept) ... For works with only one cut, the subtitle was attesa, the Italian word meaning expectation or anticipation. Ogni tessuto, attraverso la sua matericità vuole esprime un differente concetto spaziale. Concetto spaziale. Le nom des œuvres sont écrits en italien comme "Concetto spaziale, Attesa" qui veut dire "Concept spatial, Attente". Expectations. Réalisé en 1966. signed and titled 'l. 1951. Cologne. Beginning in 1948 and continuing until his death in 1968, Fontana produced a series of paintings he described as “concetto spaziale” (spatial concept). ART CONTEMPORAIN. Would the visual acuity of those cuts have been more incisive? On peut aisément comparer cette ouverture à une sorte de naissance, ici par césarienne. SENS ET NON SENS L'Art abstrait ou non figuratif est, par définition même, un art qui ne figure rien, … Ceramica spaziale (49-SC.6) (Céramique spatiale) 1949. Together they constitute Fontana’s largest and most varied series of iconic works and have come to epitomise the artist’s expressive creativity. Etude pour le mur spatial de la chambre de commerce de Milan. ART ABSTRAIT. Lucio Fontana (1899-1968) , Concetto spaziale. Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin … [1963] Lucio Fontana. Attese. Concetto spaziale - 4 études. But here lies the strength of Fontana's image, the precision of its purpose. Furthermore, the holes cohere into an ovoid form, or perhaps even a halo. # par Fontana "Concetto Spaziale"' (on the reverse) oil on canvas and lacquered wood 24 … It’s also a concept vividly present to visitors here these days, as Magazzino uses technology to enforce social distancing in the age of Covid-19: Museumgoers must wear lanyards attached to buzzers that vibrate if they come within six feet of … Tantôt polygonales, tantôt arrondies, ces formes énigmatiques semblent flotter dans l'espace, comme les formes lumineuses conçues par Fontana pour les plafonds, dont il reçoit commande pour la Triennale ou la Foire de Milan. Lucio Fontana. Il, n o 56.P.3), préparé par un dessin au stylo-bille, installe l'une de ces formes tel un vaisseau spatial utopique sur un fond gris-bleu suggérant un ciel. Fontana added the subtitle “Attese”, meaning Expectation or Hope, to many of his tagli. Rappresentazione spaziale di un oggetto territoriale "GeologicFeature". En lacérant sa toile, il ouvre un espace supplémentaire. In 1966 Fontana presented an entire room of white Pour les couleurs, le noir représente le vide, l’espace tel que nous le percevons au dessus de nos têtes la nuit. “Concetto spaziale,” by Lucio Fontana Boetti, a key figure of Arte Povera, “looked at mathematics, games and puzzles in the way Bochner was looking at words,” Vincente explains. He made cuts in his paintings to bear witness to the potential limitlessness of the surface by opening up the space beyond. Il permet aussi au spectateur de voir ce qui est montrable (l’extérieur de la toile) et ce qui est caché (l’envers, le revers de la toile et le châssis). Fontana' on the underside coloured glazed ceramic with holes and graffito 28.5 x 25 x 25 cm (11 1/4 x 9 7/8 x 9 7/8 in.) Ce sont les rayons qui se diffusent dans l’univers que représente sur la toile cet espace noir. Executed in 1952, Concetto spaziale is an important early example of Lucio Fontana's trailblazing Buchi or 'Holes,' so named because of the innovative punctures with which he had forced the viewer to become aware of the three-dimensionality … Lucio Fontana. Concetto Spaziale (Bianco) de Lucio Fontana, 1968 - Sculpture / Objet (Plastique) disponible à la vente à des prix avantageux - Acheter et vendre des oeuvres d'art sur kunzt.gallery Le Concetto Spaziale 56-P.3 (cat. (Concept spatial), Musée - Niveau 5 - Salle 36 : Lucio Fontana / Groupe 0 / Alberto Burri, Crédit photographique : © Jacqueline Hyde - Centre Pompidou, MNAM-CCI /Dist. Fontana's Concetto spaziale realized £2.7 million ($4.4 million), selling within estimate, while Concetto spaziale, Attesa fetched £2.3 million ($3.6 million) against a pre-sale high estimate of £1.5 million. Neither painting nor sculpture, simultaneously a three-dimensional object and an immaterial, transcendent portal that invokes the fourth dimension and the boundless, unknowable depths of the universe, Concetto spaziale, La Fine di Dio is, like the rest of the series, a holistic object which, with its archetypal, regenerative and mystical ovoid or egg shaped form, also serves to embody the … By adding this word to his standard title of Concetto Spaziale, Fontana imbues the boundless infinity he envisaged beyond the thin, elegant chasms of darkness created by his lacerations in the canvas with a sense of buoyancy and freedom. 10 mai 2017 - Lucio Fontana, “Concetto Spaziale,” bracelet, signed, gold, executed in 1961-62. Courtesy Sotheby’s. This painting with five cuts is a manifest the artist’s signature “Spatialism”. Fontana cherche ainsi à rendre visible l’invisible. Represents the collection of geometric properties of the elevation TIN spatial object. A spatial representation of a GeologicFeature. Concetto spaziale presents the viewer with a swirling constellation of holes on a nightlike background, revolving around a massy core of paint at the centre. Source :Collection art moderne - La collection du Centre Pompidou, Musée national d’art moderne , sous la direction de Brigitte Leal, Paris, Centre Pompidou, 2007, Concetto spaziale, Attese (T.104) Vers 1956, des formes géométriques aux contours nettement délimités apparaissent dans les «Concetti spaziali». With Concetto spaziale, Attese Fontana achieved the very synthesis of color, space, movement, and time that he grandiosely asserted as the aims of his art in 1947, espousing in his Manifesto Spaziale (Spatialist manifesto): “We believe that art liberates matter, the meaning of … En effet, d'une part, ils offrent des contrepoints matiéristes aux vides créés sur la toile et enrichissent ainsi le tableau d'effets chromatiques qu'on a pu qualifier de «baroques»; d'autre part, ils déterminent un effet métaphorique en suggérant, au-delà du vide des buchi, un autre espace, sidéral, celui-là, illuminé de constellations. La comparaison avec la diffusion des sons dans l’air est aussi possible. The basis of the Concetto Spaziale works was the piercing, or later slashing with a razor, of the canvas to create an actual dimension of space. Lucio Fontana (1899 – 1968), Concetto Spaziale , 1967 , 59.1 x 51.1 cm. His work, made with a variety of materials, including stamps, textiles and ballpoint pens, reflects Boetti’s fascination with alternative modes of art production, she says. May 2, 2020 - View Concetto Spaziale - Teatrino (nero) (1968) By Lucio Fontana; cardboard; 70x 70 cm; Signed; Edition. (ref. This added a temporal dimension to the generic title 'Spatial Concept', which he gave to all his works from the late 1940s. This enigmatic quality underlines its charm and preciousness. Its meaning though is difficult to decipher, it is a still unknown constellation. The meaning lies in associating the colour lying on the canvas (before) with the acute, ingenious and subtle vision of the cut (after), … Fontana "Concetto Spaziale"' (au dos) huile sur toile et bois laqué 62 x 76.4 x 7 cm. Quant aux fragments de verre coloré, ils sont placés aux points de croisement des lignes de trous qui, en occupant la périphérie du tableau, semblent quadriller l'espace à la manière d'une carte céleste. Lucio Fontana. How many times have we wondered, looking at one of these Concetto Spaziale works, what Fontana's expectations of the effect of that same cut, or rhythm of cuts, would have on a different colour? By adding this word to his standard title of Concetto Spaziale, Fontana imbues the boundless infinity he envisaged beyond the thin, elegant chasms of darkness created by his lacerations in the canvas with a sense of buoyancy and freedom. Access more artwork lots and estimated & realized auction prices on MutualArt. Comme le chirurgien, il incise la toile pour en extirper la connaissance ou pour inviter cet autre espace à conquérir cet autre univers. Spatial Concept. Definition, Synonyms, Translations of concetto by The Free Dictionary Entitled “Quanta," a term Fontana borrowed from quantum physics, this work composes different elements in constellations of canvasses that will be arranged by Bochner for the exhibition; Scholars and artists offer different views on how one can understand this painting. 3777/1.. Full Cataloguing. He would place black gauze behind the canvas, giving the slashes and holes a sense of depth and dimension, a quality foreign to a medium that is typically, by … Concetto spaziale Fontana démontre ainsi que cet espace, avant d’être mathématique, est surtout physique. (1899, Argentine - 1968, Italie), Concetto spaziale (56-P.3) Concetto Spaziale est représentative du mouvement spatialiste. Concetto Spaziale – Attesa. Fontana’s Concetto Spaziale, I Quanta (1960), which combines nine geometrically shaped canvases, uniformly covered in water-based red paint, and each with distinct cuts and punctures. Courtesy Mazzoleni © Fondazione Lucio Fontana, Milan. (Concept spatial, attentes), Concetto spaziale, La fine di Dio (63-FD.17) Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. Lucio Fontana. Musée Ludwig. See the renowned permanent collection and special exhibitions. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. image : 4R10252 Concetto Spaziale. Exceptionally rare, few Tagli are larger or include a greater number of Fontana’s iconic ‘slashes’ than ‘Concetto spaziale, Attese’. This work titled “Concetto spaziale, Attese” (meaning “Spatial Concept, Waiting”) was created by Italian artist Lucio Fontana, the founder of an art movement called “Spatialism”. rais. Il, n o 56.P.3), préparé par un dessin au stylo-bille, installe l'une de ces formes tel un vaisseau spatial utopique sur un fond gris-bleu suggérant un ciel. Le Concetto Spaziale 56-P.3 (cat. p. 39), Voir la notice sur le portail de la Bibliothèque Kandinsky. By 1960, Fontana restricted the number of tagli … Warhol Self-Portrait Sells For $17.4 Million At Auction. The paintings, usually all in one color, featured holes and slashes punched or cut into the canvas. A U.S. ‘Concetto spaziale, Attese’ (1965) is a seminal work from Lucio Fontana’s most renowned and celebrated body of work, his instantly recognizable Tagli (Cuts) produced over the course of a decade between 1958 and 1968. RMN-GP, Réf. Measurement — with the deeper meaning of how we assess the world around us — is a theme that crops up again and again in the art on view. Les rayures de cette oeuvre représentent des rayons solaires de part leur couleur dorée et de part leur disposition sur la toile. La couleur des rayures fait ressortir la nature éclatante du soleil et de ses rayons. Couleurs et verres colorés ont, pour les «Concetti spaziali», une double signification. 12-feb-2018 - Explora el tablero "Lucio fontana" de Jesusalmeriense, que 107214 personas siguen en Pinterest. 1899-1968. This work carries the weight of history as if it was an archaeological find that one admires with the stupor of a discovery just made. Concetto Spaziale est représentative du mouvement spatialiste. Over 100,000 English translations of Italian words and phrases. Visit the Frank Lloyd Wright–designed Guggenheim Museum in NYC, part of a UNESCO World Heritage Site. 56 P 3 reprod. Les granulations de la toile même si elles sont noires pourraient correspondre aux constellations du ciel. 1957. 1961. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. Aller au contenu | Aller au menu | Aller à la recherche. 1951 - 1952. Lucio Fontana Yet, the painting is considered one of the most … photo Sothebys Executed in 1968. (Céramique spatiale), Etude pour le mur spatial de la chambre de commerce de Milan, La collection du Musée national d’art moderne, © Fondation Lucio Fontana, Milano / by SIAE / Adagp, Paris, Crispolti (Enrico), Marck (Jan van der).- Lucio Fontana : catalogue raisonné des peintures, sculptures et environnements spatiaux (Archivio Lucio Fontana, Milan).- Bruxelles : La Connaissance, 1974 rais. En ce qui concerne la septième rayure, la cassure effectuée au trois quart de la toile rappelle le phénomène de réfraction (bifurcation d’un rayon arrivant sur un prisme ayant un indice de refraction différent de celui de l’air ou, ici, de l’univers dans lequel évolue le rayon : voir schéma). En effet, pour les sons comme pour les rayons solaires, ils sont soit directs soit réfléchis (cf : l’acoustique des cinémas). Pour les lacérations, ce geste de trouer la toile fut perçu à l’époque comme un sacrilège. 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