And I think that’s a huge mistake, because cultural change precedes political change. All Access Digital offer for just 99 cents! Post was not sent - check your email addresses! (Anda Chu/Bay Area News Group). And the third thing I look at is, artistically, what was the experience for the artist? Many artists are not always thinking about timing. I became curious on its true meaning and googled it. A lot of times I’m doing workshops, like political poster workshops, where everyone gets to make their poster. 20. Because even though it sounds easy, it’s actually not easy. The bird represents people who “migrate to improve their lives,” Rodriguez writes, and the hand “represents the manual labor that migrants do once they reach their foreign destination.” We want this story to go far and wide! The timing of it wasn’t right. I also created make-your-own butterfly kits. So I think that the creation of art simply as a gesture of contemplation and also the activities that people get to do, is also part of it. And how do you know when it doesn’t work? Rodriguez is known for using her art as a tool for activism. Or when the fires happened, I’m like, “Okay let’s talk about climate policy.” Now that the migrant caravan is happening, I am pushing out the butterfly again. Have you ever had a project that didn’t work? And that’s what we do. For example, right now we’re in a #MeToo wave. And what I wanted to do is frame it through the lens of nature, and not acknowledge or give importance to the border and the wall, because it’s a man made concept, versus that it’s a nature concept. Art is the language of the future, and through art we can actually create the vision of the world we want to see. Rodriguez designed the artwork for Ben & Jerry's new "Pecan Resist" political ice cream pint. They both came up through the grassroots activism scene of the Bay Area in the late 1990s. You know it’s one of my all-time favorite sort of symbols, campaigns, so on and so forth. So, at CultureStrike we believe in it so much that any time we have any kind of collaboration with an organization, we basically do a pop up studio thing. FR:  Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. You often address the theme of migration in your art. And those beliefs first have to change before someone is willing to vote on it. And art is really well suited for that. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? FR: I follow the news, I follow social media, I see what people are talking about. Like, what are we really talking about here? FR: I think that art is the language of possibility. Stephen Duncombe: I wanted to ask you about the “Migration is Beautiful” monarch butterfly. Right. Related Articles We always support emerging artists. I’m an artist, and I know that making art is a big part of what I want to achieve. I mean, I care about culture, I care about pop culture. Like: My role as an artist is to work with a movement and do this sort of work? SD: One of the things I’m interested in is: how do people like you know that what you’ve done works? Oakland artist and organizer Favianna Rodriguez work on a collage at her studio in Oakland, Calif., on Thursday, Nov. 1, 2018. Once you learn the sort of ebbs and flows of it, it allows you to go it at the right time, and to actually ride that wave. And what does art have to do with it? I always want to create opportunities for people to engage with the work in a way where they’re also embodying it. I felt like we can tackle this problem after reading this book. So, for example, people are not gonna vote for clean energy if they don’t believe that oil is dirty. And frankly, you could only understand that if you are watching it or if you’re engaging in it. And it’s also more systemic. One of the things I’m interested in is: how do people like you know that what you’ve done works? Rodriguez is a co-fo… “I designed it to be about dignity and joy and resistance,” said Rodriguez, 40. And I knew it didn’t work because it wasn’t shared. Favianna leads art interventions around the United States at the intersection of art, social justice and cultural equity. lectures globally on the power of art, cultural organizing, and technology to inspire social change, and leads art workshops at schools around the country. So, for example, people are not gonna vote for clean energy if they don’t believe that oil is dirty. I mean, we have to understand the issues. There is art, poetry, inspiring stories. Weird things about the name Favianna: The name spelled backwards is Annaivaf. Human beings have always expressed themselves through two key things: They’ve attempted to understand the world through science and through art. This little pig who was saved, and he’s in a sanctuary now.” Or I’m gonna tell the story of a kid who has asthma because the refineries are in his town. Do you mind telling me where the idea for the monarch butterfly came from, what you did with it, and how you thought about the whole? Ben and Jerry want to know 8.5K likes. But then: How do we also facilitate its distribution and its use. People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. you have a good project, if some of these issues are not in the news cycle it might get picked up by some random art people but it doesn’t really move in the way that it needs to move. We’re trying to activate culture which is different than activating legislative or policy change. And how did you know that it didn’t work? Human beings have always expressed themselves through two key things: They’ve attempted to understand the world through science and through art. That to me is what needs to happen more. And they’re not necessarily around nature culture. Her art and praxis address migration, gender justice, climate change, racial equity, and sexual freedom. The company renamed its Chubby Hubby flavor to Hubby Hubby in 2009 to mark same sex marriage in Vermont and created EmpowerMint in 2016 to promote voting rights, according to USA Today. I just, I’m participating in culture. Because sometimes we also host, it’s not just the creation of an object, it’s a show or it’s a film. Yes, so, to me art is about having a voice and it’s about expressing yourself, which is a fundamental right. How Trump will hand off nuclear football if he won’t meet Biden, ‘The last place they want to go’: How COVID-19 is devastating East San Jose businesses, Why traffic reporters aren’t flying anymore — and why that’s not a bad thing: Roadshow. Her forms include visual art, public art, writing, cultural organizing and … I also created make-your-own butterfly kits. Click here if you are having trouble viewing the photo gallery or video on your mobile device. “To see people react to seeing that…it blew my mind. Pecan Resist, a play on “We can Resist,” is a chocolate ice cream with white and dark fudge chunks, pecans, walnuts and fudge-covered almonds. Tatiana Sanchez covers race, demographics and immigration for the Bay Area News Group. Latino bilingual news paper serving the community in the silicon valley in the Santa Clara county Throughout the development of her art piece, she set out to research food culture in the community she grew up in. This is also why we need artists with first-hand, lived experience. Ben and Jerry want to know. And the other things is that I wanted to sort of speak from a place of being affirmative and visionary and even futuristic, or naturalistic, using nature as a way to story-tell. Which tells me that we actually also need to prioritize art making in our communities, because that’s also a way to heal. People use that metaphor, because the other sort of metaphor that exists, especially for Day of the Dead, is that the monarchs carry the spirits of the dead. They’ve created a narrative. But what matters is the idea. Her artistic practice is about boldly reshaping myths, ideas, and cultural practices of the present, while confronting and correcting wounds of the past. 05-oct-2013 - America's Voice blog content about immigration, immigration reform, important legislation at the federal and state levels, and the Trump Administration. SD:  Have you ever had a project that didn’t work? Yes, I have had a project that didn’t work. Communications messaging is different than what we need in order to win hearts. FR: Yes, I have had a project that didn’t work. Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? Although it also sounds like in thinking about an artist’s autonomy, you also hold artists, or at least hold yourself, up to pretty high standards. The image  is not just the monarch, it actually has two faces in it, which added to this sort of blending of humans and the natural world. They both run non-profit organizations/initiatives -- respectively, CultureStrike and Green for All -- that seek to provide environmental justice for communities of color. So, I do believe that as artists we do need autonomy to do our wild crazy ideas. It’s important that we create objects that people can attach themselves to. I follow the news, I follow social media, I see what people are talking about. What are people saying, and where is there some friction? This is an amazing new collection by something like 60 women working on climate change. We’re not gonna be able to be effective artists if we don’t submerge ourselves in the realities. She. Favianna Rodriguez is a prime example of someone who has fought to do what she loves despite oppression, racism, and disbelievers. Our movement, overwhelmingly pain-oriented, and a lot of the ways that we activate are not around comedy, they’re not around joy. Because even though it sounds easy, it’s actually not easy. (Center for Cultural Power) The Cultural New Deal goes beyond individual artists. And how did you know that it didn’t work? So, I think in general it’s a metaphor that’s been out there. OAKLAND — Ice cream titan Ben & Jerry’s made waves this week with the release of “Pecan Resist,” its limited edition — and highly political — flavor calling on Americans to resist oppression and injustice ahead of the midterm elections. The piece is dedicated to my loving father, Gustavo Rodriguez, who passed away June 1, 2016 after a short battle with prostate cancer. I’ve also taught art workshops, where I know that a lot of the kids who won’t go to math class will go to art class. Ben & Jerry’s unveils new flavor for midterm elections And so often our messages are about what’s politically feasible. Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. The company also announced it is donating $25,000 to each of four organizations working to support people of color: Color of Change, Honor the Earth, Neta and the Women’s March. I think that art is the language of possibility. SD: You facilitated using your skills in order to make it look nicer, make it more accessible to people. , where we had videos on how you can cut out your own wings. I got to read an early copy and was blown away. To make your own wings that’ll stay on and doing it with just like DIY in your home, it actually is a few steps, so it required a whole curriculum. I created an exercise with my organization. Pictured: CultureStrike at the People’s Climate March in 2014. I’ve done tons of those workshops, and wherever I go the old ladies, the moms, the kids, they come and they’re just painting their butterflies, so immersed in it. What was the quality of the interaction with the work or the experience? So, I mean it’s not designed to move people in the same way where art I about bigger ideas, it’s about a bigger narrative, it’s not just about reacting to the current political reality. Favianna Rodriguez, Oakland, California. I just, I’m participating in culture. I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. Social activism has long been part of Ben & Jerry’s MO. Was that a conscious decision? And the character in the middle stares straight ahead, holding an orange sign that reads, “resist.”, Ben & Jerry’s announced the limited batch flavor Tuesday, saying, “We can peacefully resist the Trump administration’s regressive and discriminatory policies and build a future that values inclusivity, equality, and justice for people of color, women, the LGBTQ community, refugees, and immigrants.”. It’s not just about regurgitating a message, it’s actually the activity and the action of making art and community is in itself healing. In addition to her work at, , Rodriguez is a prolific artist and created “Migration is Beautiful,” an image that has been widely adopted as a symbol of the migrant rights movement. In a way, you’re answering the question that I wanted to move to next, which is: How do you think social change happens? I mean you’ve done a lot of successful projects right? “I wanted it to be fantastical and attractive to youth and show people of color that they can express themselves.”, The pint shows three people of color standing shoulder-to-shoulder but facing in different directions. Please LISTEN to this powerful radio story that features my camp and I at Burning Man Project. I mean, we have to understand the issues. Where are there some openings? Communications messaging is usually designed to get your senator to do X, Y, Z. It’s not designed to move people. But it has to speak to their emotional heart. And how do you know when they are successful? Yes, culture is a set of behaviors and ideas and beliefs. And then I created merchandise with it, and I created things that people could put up in their living rooms, t-shirts, earrings, because I also think that so often a lot of things just live online, but I do think that people really want to show their values. So, that’s something that I did differently that I actually think led to the mass appeal of it, because it was a very open invitation and it was an affirmative message, it was a positive message. It’s a straight up fabrication that we need more money for the wall. And that’s what we do. I’m not just gonna say, “go vegan,” or I’m not just gonna say “oh, the factory farming industry is horrible,” I’m actually thinking: “I’m gonna tell the story of this little pig. Art is about myth-making. Favianna Rodriguez is a visual artist whose poster prints address social justice issues from war to reproductive justice. Climate change can be so overwhelming. You know it’s one of my all-time favorite sort of symbols, campaigns, so on and so forth. It’s a message about what we’re against. I’m an artist, and I know that making art is a big part of what I want to achieve. As human beings, we’ve always been migrating since the beginning of time. I mean art is really our imagination. I mean, I care about culture, I care about pop culture. (Photo: Jim Ratcliffe) Arts & Culture. She lectures globally on the power of art, cultural organizing, and technology to inspire social change, and leads art workshops at schools around the country. So much of what we’re fighting is actually ideological. I believe all art is coming from a point of view, and we’ve grown up in a world where overwhelmingly we are seeing the world through the perspective of white men and we’re seeing their art and their gain. Out of 6,028,151 records in the U.S. Social Security Administration public data, the first name Favianna was not present. And it’s also about creating something to note and to reflect your existence. FR: Yes, so, to me art is about having a voice and it’s about expressing yourself, which is a fundamental right. And what does art have to do with it? What changes for them? And those beliefs first have to change before someone is willing to vote on it. In addition to her work at CultureStrike, Rodriguez is a prolific artist and created “Migration is Beautiful,” an image that has been widely adopted as a symbol of the migrant rights movement. Although it also sounds like in thinking about an artist’s autonomy, you also hold artists, or at least hold yourself, up to pretty high standards. I always want to create opportunities for people to engage with the work in a way where they’re also embodying it. Art is about myth-making. The Vermont based ice cream maker has rebranded one of its flavors as “Pecan Resist,” with a featured design on the pint created by California-based activist and artist Favianna Rodriguez. Rodriguez began as a political poster designer in the 1990s in the struggle for racial justice in Oakland, California. So we also need the artists who don’t have the experience to actually go to the impacted places and see for themselves, but also listen to local people. Can you explain that a bit? you have a good project, if some of these issues are not in the news cycle it might get picked up by some random art people but it doesn’t really move in the way that it needs to move. Art is the language of the future, and through art we can actually create the vision of the world we want to see…To document how you’re experiencing life in a way that may not be scientific or is more about myth-making and storytelling, that to me is art. There’s always fruit, and that’s the thing that, I trust artists. But a lot of times, the fossil fuel industry has told us that we need oil, oil is a sign of progress. Her designs and projects range on a variety of different issues including globalization, immigration, feminism, patriarchy, interdependence, and genetically modified foods. FR: There’s always fruit, and that’s the thing that, I trust artists. Listen to local artists. First, I look at what the impact on the people who experienced the art was. So, by the time some of these artists are ready to engage they have a solid foundation of an understanding of the issues, but they also have the ability not to just regurgitate movement messaging. It’s like a very, very old practice. SD: Sure. My organization’s contribution was thinking of ways that people can engage with the subject. Sorry, your blog cannot share posts by email. It was around: How do we make this image? Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as … Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as the central tool of their activism. Favianna Rodriguez: The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. You said something really interesting which is this notion that policy won’t happen unless the culture changes, right? They never seen this wall, and they realized that it’s such a fabrication. Sure. And I want to create the stories and the images that I long for. SD: Can you talk a little bit about that, this sort of relationship between art making and politics making, citizen making, wellness making? How unique is the name Favianna? That to me is what needs to happen more. In a way, you’re answering the question that I wanted to move to next, which is: How do you think social change happens? Fun Facts about the name Favianna. It is possible the name you are searching has less than five occurrences per year. Mar 16, 2015 - Artist, Favianna Rodriguez, completed an art installation about her connection to her the community she grew up in - Oakland's San Antonio and Fruitvale districts. It reminded me that representation matters.”, Get Morning Report and other email newsletters. Communications messaging is different than what we need in order to win hearts. Right, right, it goes back to that sort of emotional knowledge as opposed to just information. They need to feel it. I created an exercise with my organization, CultureStrike, where we had videos on how you can cut out your own wings. Because I feel that often a lot of our messaging is a fighting message. Jan 18, 2012 - The online spot to get fine art, limited edition prints, political posters, calendars, books, t-shirts, and sexy dresses by Favianna Rodriguez, an acclaimed artist engaged in social change. What do they notice that is different for them? In 2017, Sanchez was part of a team of East Bay Times reporters awarded the Pulitzer Prize for breaking news coverage of the Ghost Ship fire in Oakland. So, for example, we just took a big group of artists to the border to have them see the new wall that was built. They have to first believe that oil is bad and solar is good and therefore they’ll vote for clean energy. The timing of it wasn’t right. It's geared towards the people who program and fund the arts. Favianna Rodriguez (born September 26, 1978) is an American artist and activist. And I think that in the social justice world, we have overwhelmingly concentrated our efforts on policy change. What I did differently and how I was able to really maximize it, is I created a symbol that explicitly connected the migration of insects to the migration of people, and that it was actually something that it was dictated by nature. Before heading north, Sanchez spent a year as immigration reporter at the San Diego Union-Tribune, where she covered the region's multicultural communities, social justice topics and life on the U.S. -Mexico border. The answers I glimpsed through online were positively surprising. And please share it with other Burners. The concept of connecting the monarch butterfly to migration is something that I believe has been going on since the 80’s. Like, did they have fun, did they learn a new skill, did they see something they hadn’t seen before, were they moved by the art, did they get excited by it? SD: And from that experience they have, you have faith that there will be some fruit in the future? We’re not gonna be able to be effective artists if we don’t submerge ourselves in the realities. I am an agitator and artist. Art is about myth-making. We invest so much in the leadership development of grassroots organizers, we need to be supporting the leadership of artists early on, early, early on. We always support emerging artists. So, I mean it’s not designed to move people in the same way where art I about bigger ideas, it’s about a bigger narrative, it’s not just about reacting to the current political reality. Who is the Oakland artist behind Ben and…, Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to email this to a friend (Opens in new window), Map: PG&E power outages across Bay Area amid high winds, Oakland artist Favianna Rodriguez is the face behind Ben and Jerry’s new anti-Trump pint, Ben & Jerry’s unveils new flavor for midterm elections, What flavor is this California candidate? And in reality, the opportunities to do that in communities of color, are extremely limited, very, very limited. And what I find is that doing something that reflects their values or their lived experience. This little pig who was saved, and he’s in a sanctuary now.” Or I’m gonna tell the story of a kid who has asthma because the refineries are in his town. And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. Absolutely. What was the quality of the interaction with the work or the experience? The White House couldn’t immediately be reached for comment Thursday morning. FR: Right. I, frankly, believe that they get a different sort of way to be able to talk about the work they do. Favianna Rodriguez is a transnational interdisciplinary artist, cultural organizer, and Executive Director of CultureStrike, an artist collective that uses cultural work as the central tool of their activism. Her work and collaborative initiatives address migration, gender justice, sexual freedom and ecology. What I did differently and how I was able to really maximize it, is I created a symbol that explicitly connected the migration of insects to the migration of people, and that it was actually something that it was dictated by nature. And how do you know when they are successful? In order to win, we need to have a vision of where we’re going. I also don’t believe art is neutral. I just say, “Just take it in, and you are a storyteller, and try to think about how you want it to come out and the story that you tell.”. What is the narrative? What flavor is this California candidate? President Trump has not commented on the flavor. And I want to create the stories and the images that I long for. Jun 5, 2019 - Favianna Rodriguez is an interdisciplinary contemporary artist, cultural strategist, and social justice activist on a mission to create profound and lasting social change in the world. Whether it’s people writing on the walls or the invention of the printing press, the desire to distribute knowledge and a point of view has . They’ve created a narrative. And we actually have molded our lives around that idea. And that, to me, means that this is the time to talk about a bunch of stories around sexual abuse — it’s a completely different landscape than last year. And I knew it didn’t work because it wasn’t shared. So, as a woman of color I make art because I don’t see my existence reflected back to me in mainstream culture, I see whiteness reflected back to me. You know, like when I do projects on factory farming and on fossil fuels, like I really try to think about: What perspectives am I sharing here? Well, I deal with funders all the time and they always ask me this, but I look at it in a few different ways. I think that art is the language of possibility. And culture has to change before policy does, in fact policy is like the final manifestation of an idea. And it’s also about creating something to note and to reflect your existence. I mean there’s just a lot of ways for it to be interpreted. In order for people to transition off of oil, they first have to be able to imagine what their life can be like — they have to almost unlearn some things. So, I think in general it’s a metaphor that’s been out there. And having fun, not just attending a protest, but actually putting on a costume that is fun — migrant kids especially, because I would do butterfly making workshops with a lot of immigrant kids. Favianna is the co-founder of the EastSide Arts Alliance and Visual Element. The character on the left is gender queer, meaning not exclusively masculine or feminine, according to Rodriguez, and has her fist in the air. This print edition honors birth and death, and how these two incidents create the cycle of all life on our planet. But then: How do we also facilitate its distribution and its use. That they kind of have some pride in creating it, but also that it’s a fun and memorable experience. For example, right now we’re in a #MeToo wave. It was a defining moment for Oakland artist and organizer Favianna Rodriguez, who created the vibrant artwork for the ice cream pint’s label. Was that a conscious decision? I'm a multidisciplinary artist and also a worker of social justice. A longtime friend of the Museum, Rodriguez is the cofounder of the EastSide Arts Alliance and Cultural Center as well as CultureStrike, a national network of socially engaged artists. Favianna Rodriguez (favianna.com) A human hand reaches out from the side of a bird in this print, Transnational, by Favianna Rodriguez. She's based in San Jose. So that’s one thing. And from that experience they have, you have faith that there will be some fruit in the future? It — they actually need to see different than what we ’ re spectators, they ’ re gon. 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